Being New Years Day and some family and friends felling a little frail after New Years Eve we headed of to Royal Harbour Brasserie which is on the end one of the curved stone piers that form Ramsgate Harbour.
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Saturday, 2 January 2016
Pen and watercolour of Ramsgate from The Royal Harbour Brasserie
Being New Years Day and some family and friends felling a little frail after New Years Eve we headed of to Royal Harbour Brasserie which is on the end one of the curved stone piers that form Ramsgate Harbour.
2 comments:
Comments, since I started writing this blog in 2007 the way the internet works has changed a lot, comments and dialogue here were once viable in an open and anonymous sense. Now if you comment here I will only allow the comment if it seems to make sense and be related to what the post is about. I link the majority of my posts to the main local Facebook groups and to my Facebook account, “Michael Child” I guess the main Ramsgate Facebook group is We Love Ramsgate. For the most part the comments and dialogue related to the posts here goes on there. As for the rest of it, well this blog handles images better than Facebook, which is why I don’t post directly to my Facebook account, although if I take a lot of photos I am so lazy that I paste them directly from my camera card to my bookshop website and put a link on this blog.
Fascinating sketch of the Royal Crescent, Michael, from The Brasserie. Really like it!!
ReplyDeleteBy the way, I do hope you are carefully keeping all your wonderful sketches, so they can be published in due course. For example you could self-publish using Blurb. But I'm sure you know all about that.
To be honest Simon I haven’t got a clue about how to approach some sort of commercial aspect with the art work. Up until recently the pictures weren’t good enough for anyone to want them, so it wasn’t an issue, the one I did of the centre of Canterbury several people wanted, either to buy the paining or a print of it, with watercolour, scanning and printing is a professional thing as the colours are subtle and printers and papers are tuned to printing photos.
ReplyDeleteI think the problem really is that I am approaching the pictures as though the last hundred years hadn’t happened by drawing and painting directly from life with topographical views, rather than using a mixture of sketches and photographs to paint something in the studio.
Going back into the eighteen hundreds I think an artist would have made a sketch like this one and then it would have gone to an engraver, a few hundred prints would have been made and perhaps fifty or a hundred would have been hand coloured using the original as a reference. Either that or the artist would have taken it back to the studio and used it to paint an oil paining.
Theoretically the demand for small detailed watercolours isn’t high, the people I know who run art galleries tell me that it’s oils that sell.
With the winter pictures, apart from the time the main cost is bills in the cafés making the business of painting and selling a detailed watercolour not pan out sensibly. Of course my intention is not to make a living out of painting and I guess to me I paint for my own pleasure and put the photos of the paintings on the net to amuse those who are interested.