Several local artists have either applied for grant funding from, or offered input to the Turner Contemporary project all those I have spoken to say they have been turned down out of hand, one said that he was sure it was because his work is paint on canvas and that he thought he would have much more success with them if he asked for a grant to dig holes in the sand.
Now what really worries me here is the criteria by which they are deciding what constitutes appropriate art and the experience of those making these decisions.
As far as I can tell they are not affiliated to any experienced and significant existing art gallery and most of the control over what is happening there seems to be in the hands of civil servants, without artistic ability or qualifications.
The gallery only seems to want to interact with either people who are very young and inexperienced and therefore easy for them to manipulate, or artists who producing elitist work that’s only justification for it being art is that the “artist” says it is.
To quote Hamish Fulton "Some people have asked whether what I'm doing is art but my answer is always the same: I'm an artist so therefore this is art."
There is also a grave concern here about the effect on our young people, by this I mean the message being conveyed to them when they were forced to attend yesterdays event is this.
You are to walk round in circles, the man leading you is an artist therefore this is art, if he wasn’t an artist it wouldn’t be art, this is part of your training as artists, when you have completed your training, you will become an artist and whatever you say is art will be art and will attract funding.
How dare they waste tax-payers money on this when their closing down toilets and other amenities
ReplyDeleteI am a doctor, therefore it is medicine. Josef Mengele 1944.
ReplyDeleteI am a director of TDC and i don't live in thanet so i don't give a stuff.
ReplyDeleteWell you can't have toliets and a art gallery and £350,000 spent on your local theatre.
ReplyDeletewhat do you expect there is a recession except in the matter of the chief execs salary and car allowance.
Derick 15.15 and 15.17 I should point out that this is KCC spending our council tax and that toilets are funded by TDC not KCC.
ReplyDeleteRichard I know I have said it before but some of you concise one liners are excellent.
The Pied piper lead the children perhaps yesterdays walk was lead by a contemporary of his. I find it hard to see why Ramsgate artists would be unable to gain funding it is a Thanet based operation. derick97 different budgets waste money in different ways.
ReplyDeleteTurner Contemporary funds and promotes *contemporary art*. I am trying desperately hard not to sound dismissive, but they know what they're doing, and they are in line with current, justifiable, relevant trends and themes in contemporary art and society.
ReplyDeleteWhether *you* like it or not, is another matter - please don't attempt to suggest that T.C's choice in art is somehow wrong, personally I find many of their choices interesting, engaging and clever. Don't confuse art with craft.
Whether it was the con-men making a non-existent suit for The Emporer or Hamish Fulton spouting utter rubbish, the net result was that they all walk away with sucker's money, leaving us all waiting to have a young child ask " Why is the Emporer naked?"
ReplyDeleteIf Victoria Pomeroy approved of Fulton's farce, she needs to go.This nonsense has done huge damage to TC's claims to be taken seriously as a worthwhile place to visit, when it finally opens. Revise the visitor numbers downwards again, Victoria but don't worry, Thanet and Kent tax-payers will still pay, as we have no choice. Or do we?
Jon is talking tosh. He must remember that it's us the tax payers that are funding this nonsense. If it was a private benifactor then The Turner can do what its likes, but it not. At a time when the public purse is under pressure and councils cant keep basic service like keeping public toilets open, art in this form is not what the generl public want. Turner is meant to regenerate Margate, its not there for a select few to play out their fantasies.
ReplyDeletePeter, might i suggest a visit to a contemporary art bookshop, maybe one of the Tate's, go and look at the Hamish Fulton section and check out his photo books. Then see if you still think his involvement has done Turner Contemporary's reputation incredible harm.
ReplyDeleteThe bottom line is that this is supposed to revive MARGATE, not just appeal to a select few London elitists.
ReplyDeleteKCC and SEEDA could have saved themselves £17 millions build costs. Who needs a building for people to parade round and round and round. Its limitless what can be done with a few people and a bit of open space. But I dont think it will attract 140,000 visitors to Margate. Putting people in the stocks, witches in ducking stalls or public floggings might.
ReplyDeleteAll eyes are on Dreamland to revive Margate, one art gallery can not do that. The real scandal of Margate is who owns what land and what they do with it. While people with no personal interest or vision cling onto their grubby land and property investments the town will always be held back, i think we all know who i mean...
ReplyDeleteis there anything that can be done to revive margate, tdc have made it into a ghost town. Toxteth 15 years ago had more going for it than margate does at the moment.
ReplyDeleteperhaps the cllrs and senior officers should take it in turns to be in a set of stocks, the sale of rotten fruit would increase then.
Peter, i don't think it was billed as a big event, The big event at Palm bay or Quexpo are 'Big events'. Hamish Fulton is a artist who works all over the world but lives in Canterbury, he was free for a very limited amount of time, also the tide was a major factor in when this walk could take place. The students forced (as you put it) were largely UCA art and design students who would have been luckily to have worked with an international art like Hamish.
ReplyDeleteMy personal test for any reasonable attempt at promoting something is that at least one member of my fairly varied and large network of family and friends know something about or can recall some mention of the promoted item prior to the fact. That I am the only one who has the foggiest about the Turner Centre and even I only found out about this "walk" from Michael's and Peter's blogs suggests that no effort at all was mode to alert the general public. That alone gives rise to doubts about the quality of the attraction factor.
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